ZHENG, LIANJIE
郑 连 杰
Zheng, LianJie 郑连杰，is a leading Chinese artist based in Beijing and New York. His mastery of traditional Chinese calligraphy and poetry since his youth, Zheng has expanded his artistic repertoire to include contemporary ink painting, performance art, photo, video, and installation. His work, which explores themes of cultural exchange and identity, has garnered international acclaim and has been exhibited globally.
Zheng Lianjie was born in 1962 in Beijing, he is a prominent Chinese artist. His work spans calligraphy, contemporary ink painting, performance art, video, installation, sculpture, and conceptual photography.
In the early 1980s, Zheng studied traditional Chinese painting at the Palace Museum in Beijing. He founded Beijing Earth Calligraphy and Painting Art School in 1986. His ink painting "Dance of the East" won the Gold Prize at Korea's 9th International Art Show in 1992.
During the mid-1980s, Zheng began experimenting with contemporary ink and became known for his subversive artistic style. He integrated performance art with the natural environment in China, one of the earliest to do so.
After immigrating to the United States in 1996, Zheng explored contemporary ink painting and performance art, addressing themes of immigration and cultural identity. He made annual pilgrimages to Mount Hua between 2004 and 2008, which profoundly influenced his later work.
Zheng has exhibited globally, given talks at major universities, and his work has been featured in outlets like The New York Times. He was named a United Nations Messenger of Peace in 2012 for his contributions to art
2020s' - 2000s'
Lianjie Zheng's paintings from 2020 are a reflection of the times we live in. From the COVID-19 pandemic to healthcare innovation AI and automation, each painting captures the essence of these important topics.
Zheng's use of color and composition creates a thought-provoking visual experience that invites the viewer to contemplate these issues on a deeper level.
Lianjie Zheng's paintings from the 2010s are a stunning representation of contemporary art. His use of color and texture creates a unique visual experience that captures the essence of the modern world. Zheng's work is a testament to the power of art to inspire and provoke thought, and his paintings are sure to leave a lasting impression on anyone who views.
Spring in Maria Garden No.1
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Zheng Lianjie 90.6 X 49.5 cm 35.7 X 19.5 inches water ink on rice paper 2021
Spring in Maria Garden No. 2
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Zheng Lianjie 90.6 X 49.5 cm 35.7 X 19.5 inches water ink on rice paper 2021
Autumn at the foot of the Great Wall
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Zheng Lianjie 90.6 X 49.5 cm 35.7 X 19.5 inches water ink on rice paper 20
Blue Dream Series No.3
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Zheng Lianjie 137.1X 69.3 cm 54 X 27 inches water ink on rice paper 2015
Year of the Dragon No. 1
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Zheng Lianjie 136.4 X 68.6 cm 53.7 X 27 inches water ink on rice paper 2012
1990s'
Zheng's immigration to the United States in 1996 marked a turning point in his artistic exploration. While he continued to experiment with contemporary ink painting and calligraphy, he also used his body as a means to reflect on immigration, assimilation, and the psychological challenges faced by individuals and society from different cultural backgrounds. His performance pieces from this period have become significant chapters in the history of contemporary Chinese performance art.
Deep Winter
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Zheng Lianjie 76 X 83 cm 29.9 X 32.6 inches water ink on rice paper 1995
Grey Beijing
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Zheng Lianjie 76 X 83 cm 29.9 X 32.6 inches water ink on rice paper 1995
Zheng Lianjie, Grey Beijing, is an emotional and thoughtful urban canvas. In this metropolis, history intertwines with modernity, tradition collides with innovation. Under the grey sky, skyscrapers stand tall, while ancient alleys wind through the city. Grey is not monotonous, but a hue that encompasses all, symbolizing Beijing's unique charm and steady demeanor.
In Grey Beijing, morning mist shrouds the red walls and yellow tiles of the Forbidden City, as if history is whispering. In the afternoon, sunlight breaks through the clouds, illuminating the broad Chang'an Avenue and the bustling Sanlitun. At night, neon lights flicker, merging the rhythm of modern life with the flavor of tradition.
Zheng Lianjie, Grey Beijing, is not just a visual experience but a resonance of the soul. Here, every corner has a story, every shade of grey has warmth. This city holds both the weight of tradition and the vigor of modernity, making it a place for reflection and aspiration.
In Grey Beijing, one feels the passage of time, the changes in life, and the richness of culture. Whether a fleeting visitor or a long-term resident, this grey land always offers unique inspiration and heartfelt emotions.
untitled
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Zheng Lianjie 76 X 83 cm 29.9 X 32.6 inches water ink on rice paper 1990
1980s'
Zheng is a Chinese artist who gained recognition for his subversive and critical stance towards conservative artistic language. He started experimenting with contemporary ink and traveled all over China, participating in Beijing's Yuanmingyuan art group in the late 1980s.
Zheng turned to performance and installation art in the late 198s and is one of the earliest in China to integrate performance art with the natural environment. In the early 1990s, he famously said, "Avant-garde art should be a sharp, a weeping flower."
Big Bang - Binding Lost Souls
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Zheng Lianjie photo graphic Simatai Great Wall in Beijing 1993
Black Coca Cola
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Zheng Lianjie photo graphic Simatai Great Wall in Beijing 1993
news and reports 1980s'~1990s'
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